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Showing posts with label A2. Show all posts
Showing posts with label A2. Show all posts
Thursday, 12 June 2014
Wednesday, 4 June 2014
Sarah-Jane's Excellent Student-led revision powerpoint
Tnank you to Sarah-Jane and to Lewis for the revision session. Lewis gave a postmodern critique on videos for: Brooke Candy, Opulence; Kerli, Zero Gravity, Jeffree Star, Love to my Cobain; and Porcelain Black, This is What Rock and Roll Looks Like
Tuesday, 3 June 2014
How David Lynch might have made Star Wars - Return of the Jedi
Thank you to Miss Austin for spotting this one!
Tuesday, 1 April 2014
Facebook buy Oculus
follow the link to an interesting interpretation of how virtual reality may develop in ten or twenty years time. This is relevant to Baudrillard's theory of simulacra and hyperreality and to compare with the world shown in 15 Million Merits.
Click the link here
or use the QR code.
Thursday, 6 February 2014
Wednesday, 18 September 2013
Tuesday, 17 September 2013
Wednesday, 22 May 2013
Tuesday, 12 February 2013
Useful analysis of 15 Million Merits
No idea whose blog this is (it does not say, how hyperreal is that?) but there is an useful analysis of 15 Million Merits as a perfect postmodern critique of either our world or the society we might become if we allow communication technology to take over our lives much more than it has so far. Probably written by a Film Studies teacher/lecturer, this blog is worth exploring as it considers some of the theories we have discussed including the Male Gaze and Marxism.
Beware, however, I would disagree with the writer that 15 Million Merits is itself a postmodern text. Granted, it uses Pastiche, particularly of shows like The X Factor, which Michael Real identifies as one of the qualities of a postmodern text. However, it does not conform to any other of the characteristics - check it against the five features that Strinati posits as characteristics of postmodern texts and not one really works.
What it does is present a dystopic vision of the world in which Baudrillard's criticism of hyperreality has become fully worked out. Narratively, the programme follows traditional, structuralist patterns containing a hero/protagonist, villains and a pop princess as well as a linear narrative sturcture, for example. Whilst Bing Madsen's speech is hailed by Judge Hope, what he is praising is, of course 'style over substance' (Strinati) or the 'medium rather than the message' (McLuhan) but that is the target of the satire. The incessant devaluation of everything to the level of soft porn is also a clear critique of shallow, postmodern media output (see the controversy over performances by Christina Aguilera and Rihanna on The X Factor here).
15 Million Merits does not promote postmodernism as a positive textual value but attacks it for its potential to devalue our sense of the real.
Beware, however, I would disagree with the writer that 15 Million Merits is itself a postmodern text. Granted, it uses Pastiche, particularly of shows like The X Factor, which Michael Real identifies as one of the qualities of a postmodern text. However, it does not conform to any other of the characteristics - check it against the five features that Strinati posits as characteristics of postmodern texts and not one really works.
What it does is present a dystopic vision of the world in which Baudrillard's criticism of hyperreality has become fully worked out. Narratively, the programme follows traditional, structuralist patterns containing a hero/protagonist, villains and a pop princess as well as a linear narrative sturcture, for example. Whilst Bing Madsen's speech is hailed by Judge Hope, what he is praising is, of course 'style over substance' (Strinati) or the 'medium rather than the message' (McLuhan) but that is the target of the satire. The incessant devaluation of everything to the level of soft porn is also a clear critique of shallow, postmodern media output (see the controversy over performances by Christina Aguilera and Rihanna on The X Factor here).
15 Million Merits does not promote postmodernism as a positive textual value but attacks it for its potential to devalue our sense of the real.
Summary of Baudrillard
Here is a useful summary of how Baudrillard is critical of the post-modern world in which simulacra - or copies without an original - have come to dominate us to the extent that we cannot accurately find reality anymore.
Thursday, 7 February 2013
The Postmodern mindset as shown by the character Egg in 'This Life' BBC 1996
'I only mean to say that theories don't work, do they?'
'So you do have a theory...'
Thursday, 24 January 2013
Wednesday, 23 January 2013
Sunday, 6 January 2013
Thursday, 18 October 2012
Fantastic Storyboarding site
This site is the work of a professional storyboard artist. It is amazing and well worth reading both for storyboarding and for any aspect of planning to hit the production criteria.
Many thanks to Miss Long for finding this.
Click here
Wednesday, 12 September 2012
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